Vendetta Group Biography

At the very beginning, the quartet focused on the style of Motorhead, but soon began to perform faster and more complex things. The official entry of the team in the German underground took place in the year when the System of Death demo came out.

Thanks to this entry, the Noise Records label drew attention to the group, however, before taking work seriously, the musicians stuck another probe, Suicidal Lunacy. Songs from both demonstrations formed the basis of the debut album, published by the "noisy" firm in the fall of the year. The record of the record was held in the Berlin Studio "Musiclab", and the famous European producer Harris Jones was riding sessions and was engaged in mixing.

Despite the fact that "Go and Live Stay and Die" was born on German land, it was clearly felt by the influence of groups from the west coast, in particular the early "Metallica" and "Exodus". Unlike many of their tribesmen, Vendetta with increased sensitivity belonged to melodies, and the performance of the songs was very technical. Almost all compositions carried a powerful trash charge, and only in an acoustic entry to Systems of Death, the musicians allow the listener to relax a bit.

And although the responses to “Go and Live Stay and Die” were enthusiastic, and local concerts were in good demand, due to banal bad luck, the team could not stand on a par with the leading German three “Sodom”-“Destruption”-“Kreator”. In June, the team again found himself in Musiclab Studios alone with Harris Jones, as a result of which the Brain Damage disc entered the sale in the near future.

On this album, the texts have become even more acute -social, and the compositions became more diverse. The pace in them changed more and more often, and the "Precious Existence" number was generally something like a Power-ballad. Of the other chips, it was worth noting the fan intro “War”, the eumatic humorous shorty “Love Song” and the seven -minine “Fade to Insanity” tool with a slope in Shred.

The release of the record was accompanied by concerts with Tankard, Dimple Minds, Sodom and Helstar, but neither the neighborhood on the stage with prominent musicians, nor approving reviews of critics could bring the team to the Premier League, and at the end of the Vendeta, they left the distance. In the year, Dacks and Hayiner took up the revival of the project. Having cooled up with the vocalist Mario Fogel and drummer Thomas Lubber Kramer, they recorded the promo-CD “Dead People Are Cool”, but several years have passed before the musicians using “Metal Axe Records” managed to release a full-fledged album.

Ahim did not wait for this event, and Frank Sholz performed guitar parties on Hate. Almost twenty years that have passed since the last release, plus an almost complete change in the composition could not but affect the "Vendetta" sound. Their new creation was designated by the departure from the classic trash towards an aggressive throat-metal, sometimes bordering on industrial.

However, Hayner and the company did not forget about old fans and in M ​​reprinted the first two albums. Two years later, the team entered into a contract with the Massacre Records and, with the assistance of Don Swan, took up the fourth full -length. Last Update