Biography of L -armor
Stanislavsky, full cavalier of the Order of Merit to the Fatherland, was born on December 17 in Kyiv. Father - Bronevo Sergey Osipovich.
Mother is Bella Lvovna armored. Wife - Armor Victoria Valentinovna, an engineer by profession. Daughter - Valentina Leonidovna. Granddaughter - Olga Anatolyevna. Leonid Broneva was not going to become an actor. He studied at a musical ten -year -old at the Kyiv conservatory in the violin class at Professor David Solomonovich Bertier. Perhaps the genes of the ancestors affected: his grandfather played on the violin, his grandmother sang and danced in the Variet.
But the parents had nothing to do with art. Both studied at a rabfak in Kyiv. Mom was an accountant, and his father, who fought in a civilian one, received a legal education on the advice of an older brother, deputy people's commissar of the Ukrainian SSR in personnel Alexander Osipovich Bronevoy and, contrary to his mother’s opinion, went to the economic department of the NKVD of Ukraine.
By the middle of the x, he climbed quite highly the service stairs, receiving one rhombus to the buttonhole. So Leonid's future interests were associated with the profession of a diplomat or, in extreme cases, a international journalist. In the year of his father, he was arrested as an “enemy of the people”, and a mother and a young son were sent to the city of Malmyzh, the Kirov region.
Here, Leonid had to forget about music lessons, and diplomacy, and journalism. In the year, Bronov was allowed to return to Kyiv, but the war began, and they were evacuated in the city of Chimkent of the South Kazakhstan region. In the year, Leonid Externally graduated from a decadent, and at the same time, with his studies, he worked: he worked as a student of a baker, a ladder secretary, in a sewing workshop of a puppet theater, and he wrote a puppet play, set it up and played the role of a policeman.
It's time to determine the further profession. However, the choice was not simple. The path to journalism and even more so to diplomacy, however, as in a military school, Leonid was ordered - the stigma of the son of the “enemy of the people” interfered. On the advice of his mother, he decided to try his luck at the Tashkent Institute of Theater Arts named after A.
Only there they did not demand to fill out any profiles. In the year, after graduating from the institute and distribution, Leonid Broneva turned out to be in the Chelyabinsk region, at the A. Magnitogorsk Drama Theater named after A. Pushkin, with a meager salary, which was barely enough for meager food. There were no roles at first, and in order to somehow occupy himself, the armor was headed by the drama circle, organized the choir and himself accompanied him in the accordion.
And when he found out that he was finally given a role, he was immensely happy. Armor with humor recalls how on the very first chip of the play it turned out that the director was entrusted to the role popularly explained to the young man that he still had everything ahead: everyone would be able to play the role with the text, and you try to draw attention to the author’s attention without the support of the author-then I will believe that you are a real artist!
.. After some time, Leonid of Armor went to Orenburg and settled down for work to work. Local drama theater. Perhaps his acting fate would have developed differently if he once had not seen on television the performance of the Art Theater “At the Bottom” with Alexei Nikolayevich Gribov. The game of the great actor made a young artist such a huge impression that Bronova wrote an enthusiastic letter to a completely stranger.
Their first meeting took place in Moscow. She fundamentally turned the life of the armor. In the year, at the end of the Studio School, L. Bronova again left for the province: he first worked at the M. Lermontov Theater in Grozny, where Stalin played in the Kremlin Churants N. Pogodin, then in the Drama Drama of Irkutsk, and from the Koltsov Theater in Voronezh for the year.
They were completely different in life and creativity, but they were united by the ability to rally a team around themselves, to force them to believe in the need to appeal to this repertoire, the ability to turn any situation in favor of the matter. During this period, the repertoire of actor Leonid Bronevoy was extremely saturated and diverse. These are roles in the performances: “Way, breeze!
Rainis, the “enemies” of M. Gorky, the “bathhouse” by V. Mayakovsky, the “dog on the hay” by L. Rozov, the “sixth floor” by A. Geri, the “drummer” by A. Salynsky, the “seagull” by A. Chekhov and others. However, two years of life in Moscow, where Bronova studied in the Moscow Art Theater, did not go in vain for him. They sorted the soul with comparisons of creative life in the capital and outside it.
He dreamed of returning to Moscow. In Voronezh, Leonid Bronevoy suffered the misfortune-his first spouse died, leaving a 4-year-old daughter in the care. The actor decided to move to the capital to the relatives of his wife. However, it was not easy to get into the Moscow troupe. Broneva was shown to Tabakov and Efremov in “Contemporary”, but he was not taken due to the “lack of a personal topic”, neither long-standing, from his student years of acquaintance, no friendship with many leading actors of this theater.
I had to knock on other doors to Brisova Boris Ivanovich Ravensky. View took place in the early summer of the year. Theater named after A.Pushkin was just going on long -term tour with subsequent vacation, and the final solution to the issue was postponed in the fall. But I could not sit for several months without a salary. I had to urgently look for other sources of income. Fortunately, in the Square on Tversky Boulevard in the summer months, amateurs were going to play chess and dominoes, for interest.
Bet - especially in dominoes - were not too high, but this was enough for the armor. Of course, a strange lesson for the artist. But what can you do - it was necessary to feed my daughter. In the year, the actor decided once again to try his luck in the theater. Here, at this point, an excellent acting team was selected, which Goncharov’s predecessors began to gather.
The new leader did not drive anyone away, but began to actively replenish the troupe with new bright individuals - from the beginners N. Volkov, A. Antonenko and V. Gaft to L. Sukharevskaya and B. Tenin - famous masters of the older generation. It was at this time that Leonid Broneva got here to stay in the theater for 25 years, of which he had a chance to work with the great Anatoly Efros.
He outplayed many roles in the performances of A. Efros, A. Dunaev, L. Durov, E. Lazarev, and other directors. Among them: Careerist Arkady in Plato Kretshta A. Korneychuk, Fakir Rahuma in the Golden Carret L. Leonova, old master Ignat Kashin in the “Situations” by V. Rozov, director of the theater Chimendyaev in the “Theater Director”, Capuletti in Romeo and Juliet, U.
Shakespeare, Socrates in “Xanteppa, and this, like him, like him, like him, like him, like him, as him Aleshina, Secretary of the Chess district committee in “equal to four France” A. Misharina, the ovary in the “Marriage” by N. Gogol, the uniform of the sovereign in the “Lunin Arbuzov, Spiegelsky in the“ month in the village ”of I. Turgenev, the half -ects in the“ man from the side ”I.
In the movie, Leonid Armenia debuted the role of the gendarme colonel in the film“ Comrades Arseny ”. The actor won especially popular and love of the audience after playing the role of Müller in the now legendary serial television film Tatyana Liosnova “Seventeen Moments of Spring” the role of Müller became the “visiting card” of Leonid Armor, and quite fairly. This is not to say that the main merit of this success is only in the personal charm of the actor.
The greatest professional skill of armor is the ability to think in the image. This is a kind of acting intelligence, which adorned other roles of armor. He remarkably played Peter Dumpi in the future “Armed and very dangerous.