Biography of Thapsaeva

Thapsaev was born on June 10, he was only 4 years old, when his father died. Several years passed, and the new grief fell on Balo, his brothers and sisters. The mother died, leaving the orphans of children. He was twelve years old when he first heard the mysterious word - theater. Once, Ardon lovers of theatrical art decided to put an amateur performance based on the play by E.

Britain “Two Sisters”. He left the performance, all covered by unusual excitement, fragments of phrases still sounded in his ears. This shy guy was very curious, dreamed of traveling. After graduating from school, he goes to Sadon mines, then to Gizeldon hydroelectric power station. At the appeal of the Komsomol Central Committee in the year, he goes to Sakhalin, and although life, stormy and boiling, fascinated everything with new impressions, nevertheless, the love of the theater was strong in his soul, all his free time took to participate in amateur drams, since they arose everywhere, where only young people were.

He was seriously ill in Sakhalin, and he is sent to Vladivostok, and then to his homeland. Just when Balo studied at the Krasnodar Construction College, a recruitment was completed to the Ossetian drama. Returning to Ossetia, Thapsaev enters the theater of small forms in the House of Arts, combining this work with study in the studio at the Russian theater. In the year, a group of youth sent to Moscow completed their studies.

Thapsaev was looking forward to her return. Here is how Vladimir Vasilievich told about the beginning of his professional artistic activity: “In the year, thirty young actors returned from Moscow, and a set of the first professional Ossetian theater in the republic was announced. I also filed a statement. I will never forget this exam. I was offered to play a sketch, but excessive shyness destroyed everything, and I failed.

There were no borders of my grief. In addition, I have already quit from work, but I did not enter the “artists” and now I can admit that I was brutally starving in those years. Young actors must have persuaded the director, and I was attached to the assistant’s assistant. And one morning they urged to urgently replace the sick Isaa Kokayev as Judge Bartolen in the play “Patlen’s Lawyer” in the evening I learned the text and already began to make up.

Suddenly, Kokaev came to the theater and played Bartolen himself. The next day, they still released me, and Kokaev insisted that I remain a constant performer of this role. ” Very soon, Thapsaev not only entered the main composition of the troupe, but also took a prominent position in it. What determined such a quick take -off? Thapsaev is a rarely gifted person, an artist of the “mercy of God”, endowed with excellent stage data - the voice of an amazing timbre and range, powerful temperament, natural article, expressive plastic, rare organic matter.

He had, who has an artistic youth from studying at the time. The first troupe of the North Ossetian theater was distinguished by a rare variety of bright individuals, under the influence of which the personality of the young actor was formed. Thapsaev began to entrust episodic roles, and by the time he was already accepted as an actor in the troupe of the Ossetian theater, he learned to work independently and prepare for each performance carefully and seriously.

After a successful debut, Thapsaev was soon entrusted with the role of Tatarcan in the drama E. In fact, the birth of Thapsaev as an actor of the tragic one should be considered from this role. Almost every new role revealed the more and more new opportunities of Thapsaev. In the first Ossetian comedy “Wedding”, G. Dzhimiev G, he identified the bright character of the old -collar of Hoody - a merry and wise guy, who retained the youthful freshness of feelings, sensitively responded to everything new.

After the cruel, insidious Tatar, it was unexpected to see Thapsaev so funny, sincere, sincere. The stage role of the first five anniversary of work in the Ossetian Theater was for Thapsaev the role of Yagor in the play of G. Mdivani “Honor”.

In the patriotic performance of the Ossetian Theater, Thapsaev, thanks to the unusual brightness and realism of the colors found, created the image of great power and depth. Thapsaev now played in every new performance. Ephiev and I. Dzhanaev and others. Thapsaeva and in the creative life of the theater team. The first experience on the works of Shakespeare was the performance “Othello”, implemented in the year for the five -year anniversary of the Ossetian Theater.

Then the theater repeatedly resumed this performance, the names of new directors, artists, actors appeared on posters, only the name of the performer of the role of Othello V. was unchanged for many years, Thapsaev worked over the image of Othello. During this time, the role has undergone great changes, the character of Othello has become much deeper, multifaceted, more complicated, the external drawing is more expressive.

In the newspaper "Soviet Art" dated April 1, Pliev, the production of V. Fotiev, confirmed the talent of the collective, good taste, a high level of artistic culture. The magnificent rhythm, meaningfulness and truthfulness of each stage, gestures and intonations ensured a well -deserved success.Thapsaev in the role of Othello, as it were, united the Kotzhevsk interpretation of the role - internal dignity, the humanity of a crystal pure person who survived the tragedy of deceived trust, with a more pronounced southern passion and masculinity of a warrior.

Othello Thapsaev is distinguished by the nobility of the soul. It feels a great power of unspent feelings. ” In every new role, big or small, Thapsaev revealed all new and unexpected acting opportunities. Already in the first years of work, it became clear that Thapsaev’s range is very wide, that he knows how to dissolve in the image without a trace and living his life with inspiration and passionately, it became clear that he had mature skill.

Thapsaev owes many to the directors of the Ossetian theater, especially E. Markova, who taught his thoughtful analysis of the text, penetration into the author’s plan. Makeev, B. Borukaev, V. Fotiev, Z. Britaev helped him correctly determine the line of the inner life of the image in the play. Of great importance in the development of the Ossetian modern repertoire was the play of the Ossetian playwright G.

Jimiev “Black Fog” in this drama in this drama with particular force, the tragic fate of the folk hero of Dzambolat, set during the Great Patriotic War. This role with great skill and restrained, severe enthusiasm was carried out by V. In the year the Thapsaev family settled in this house, here she lived for 30 happy years. Of great importance in the work of Thapsaev himself and in the entire development of Ossetian stage art were the images created by him in the plays of the Russian Soviet repertoire.

Among the images of contemporaries embodied by Thapsaev in the works of Soviet playwrights, the most significant are Schwanda in the “Lyubov Yarovaya” by G. Trenev and Muravyov in the “winners” of B. Chirsky G. to the best images created by Thapsaev, the image of Yegor Bulychov in the same play “Egor Bulychov and other mature play. Mature. The skill of the great actor helped him to embody on stage one of the most difficult and most interesting images of Soviet drama.

Thapsaev came to the role of Bulychov, already having significant experience on the images of Russian classics. These roles, which demanded that the artist penetrate the Russian pre -revolutionary life, into a new world of characters, have largely prepared the great victory that he won in Yegor Bulychov. The great creative success of V. Thapsaev was the performance of the role of the people's Ossetian hero Cherman in the same poetic drama G.

Pliev “Chermen” G. playing the main role, Thapsaev struck the wealth of colors and determination of the action, the subtlety of the nuances that reveal the versatility of the soul of a simple highlander. In May, V. Thapsaev was invited to Moscow, to the Moss Council Theater, to play the role of Othello. With what unusual excitement the actor met this news - to enter the Moscow stage, where magnificent performers of this role performed.

He also remembered that the Muscovites had to see the successes of the Ossetian theater in his person. This imposed a special responsibility on him. But the fears were in vain. Success exceeded all expectations. Thapsaev played in his native language, but the deepest experiences, the slightest movements of Othello's soul, transmitted by the artist with extreme sincerity and genuine skill, were clear to everyone sitting in the hall.

Muscovites, who saw in this role of Zetozhev and Khorava, Papazyan and Mordvinov, warmly applauded Thapsaev, who brought to their fulfillment “the greatness of simplicity, clarity and depth of human feelings, combined with a grand scale of a truly tragedy nature,” as the metropolitan newspapers noted. On the creative report of Thapsaev in the Moscow House of the actor in December, Professor M.

Morozov said: “As a Shakespeare, who has long advised Shakespearean performances, I saw many Othello performers. Thapsaev - Othello is on the very peaks. Deep penetration into the image, charm, softness, noble humanity - this is what this wonderful Soviet actor showed in one of the most difficult roles of the world repertoire. ” In the role of Othello, Thapsaev acted on the stages of many theaters.

In the Astrakhan Drama Theater G.