Artist Repin Biography briefly
Ilya Efimovich Repin - GG. Kustodiev, I. Grabar, I. Kulikov, V. Biography of Repin is unique. He lived a long and eventful life. The material was prepared in conjunction with the teacher of the highest category Alexandrova Ekaterina Valerievna. The experience of a teacher of history and social studies is 11 years old. The origin and education according to the brief biography of Repin Ilya Efimovich, the future artist in the year in Chuguev Kharkov province was born.
The artist’s father was a “ticket soldier”, mother, Tatyana Stepanovna, came from a good family and was perfectly formed. It is interesting that Repin until the end of his life tried to maintain a connection with the "small homeland", and Ukrainian motifs often appeared in his works. The passion for painting was found in Repin early, and in the year he was sent to the school of typographs, but they closed to school, and Repin went to the icon -painting workshop.
He quickly became the best and at the age of 16 he began to work independently, entering the artel, which was engaged in the construction and restoration of temples. In the year, Repin decided to go to St. Petersburg and enter the Academy of Arts. He did not do it right away, but after the course of study in an evening art school. But since the year he became a student of the academy up to a year, and the student is not the last.
He was brought to him by I. Kramskoy and V. In 8 years he managed to get several awards, including the large gold medal of the Academy. The first great success in the year Repin begins work on his first large picture of “Burlaki on the Volga”. This work produced a splash in the international art community. A trip abroad and life in Moscow for a year Repin lived abroad, traveled all over Spain, Italy and settled in France, in Paris, where he met local impressionists, especially loving Manet.
It was in Paris that he painted the picture “Sadko”, for which he received the title of academician and because of which a flurry of criticism fell upon him. From a year, the artist lived in Moscow and was an active member of the Motravik partnership. It was at this time that he writes the picture “Princess Sophia” and begins work with his most outstanding student V. At the same time, the artist wrote a portrait of M.
Mussorgsky, who died just a few days later. This work caused delight among critics. Life in St. Petersburg from for a year the artist lives in St. Petersburg. For some time, falling under the influence of A. Benois and S. Diaghilev, Repin becomes a member of the "world of art". Since the year, he has been teaching at the Academy of Arts. With their students, many works illustrate, for example, N.
Leskov, N. N. Family the first wife of the artist was his friend Vera Shevtsov. The marriage was not successful, and after 15 years the couple divorced, “sharing” the children: the father took the elders, and the younger ones remained with their mother. Repin loved children very much, often painted family portraits. The second wife of the artist was Natalya Nordman, with whom he began to live in Kuokkala's foals, in Finland.
The marriage was successful, although Nordman was known as a "eccentric." The K. Chukovsky writer was especially unflattering about her and even advised him to move to the USSR in the year. Vedovov in the year, Repin no longer married. The artist died in the year in the foam. Buried there. Until the end of his life, he retained clarity of his mind and tried to work. Other biography options Option 2 Interesting facts are interesting that for the painting “Princess Sophia”, the artist’s wife Vera sewed a dress with her own hands, focusing on outfits brought from the arms chamber.
The artist took twice to write a portrait of I. Turgenev at the request of a friend, galleryist P. Tretyakov and both times unsuccessfully. Until the end of his life, he believed that the portrait of the writer is his worst work. The artist was connected by a strong friendship with the writer L. he wrote about 10 portraits and paintings with his participation.
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