Biography of Sarasvati

Take my words as a redness, as an echo of responsive praise. For the glory of the beyond the highest power, let the mantra, like rivers, be exposed, and the divine Lilas, author: Daria Chudina, the image of the goddess Sarasvati is depicted by the goddess Sarasvati as a beautiful woman in a snow -white robe, personifying the purity and the radiance of her divine essence.

As a rule, it appears to be a gaze sitting on a lotus, symbolizing the eternal divine nature, spiritual awakening, as well as the entire manifested cosmos.

The goddess Sarasvati has four hands in which she holds various attributes of allegory: a musical instrument of “wine”-the personification of art and harmony; Akshamala - pearls - a symbol of spirituality; a bowl with sacred water as a metaphor for healing power; The Vedas is a symbol of wisdom and sacred knowledge. Sometimes it is portrayed without “guilt”, and then her hand is folded in the protective Abhai Mudre or in the blessing Varada-Mudra.

Vahana sled animal of the goddess is a swan, symbolizing the bright truth, the creative beginning of the Universe, reflecting the idea of ​​the original water element. Also, next to the goddess, you can see the bird of the sun - a peacock, as a symbol of beauty and immortality. The Sarasvati River initially Sarasvati was revered as the goddess of the river. The Vedas mention the powerful River Sarasvati, which flows between the rivers of the Ganges and Yamuns.

The confluence of these rivers, called "Prayag", is considered the most favorable. The Sarasvati River, according to ancient manual texts, is the only large river flowing north from Yamuna and south of Ganges, and flows into Yamuna at its mouth. According to Shiva-Samhita, “Secret Trivyn: Pryag”, Sarasvati is associated with the central and most important channel of Nadi Sanskr. These three channels are the main among all 72 thousand nadi according to Shiva-Samhita-thousands.

The confluence of the three “rivers” PRYAG as Nadi channels symbolically corresponds to Ajna Chakra. Sarasvati flows between Ganges and Yamuna. By fumes in the confluence of the three rivers, a happy one receives salvation. In the tenth mandala "Rigveda", in the anthem of the glorification of the Nadistuti-Suket rivers, it is mentioned that the Sarasvati River is located between Yamuna in the East and the Shulesdri in the West.

Later, the Mahabharata tells that the course of Sarasvati goes north from Yamuna and south of Ganges, as well as that later this river dried up in the desert. And if we assume that the Sarasvati River flowed in the north of ancient India, now it flows through the underground channel in the Tar desert in the north-west of India, in Rajasthan, which was once green and fertile land with a pleasant cool climate, but subsequently turned into a arid desert due to reasons associated with the closure plates; Three rivers are connected in the place where the Holy City of Allahabad is located until the 17th century called the "priaaga".

However, it is likely that the location of the Great Divine River of Sarasvati in distant Vedic times, described both in Rigveda, Mahabharata and in other Vedic texts, is not in India, but in Russia. In particular, according to the studies of the outstanding Russian ethnographer and art critic Svetlana Vasilievna Zharnikova, the lands of India carry the memory of their Vedic ancestral home, that is, the names of rivers and cities were subsequently postponed by the populated territory of Indostan.

Vedic Ganges corresponds to the Volga River, and Yamuna - Oka. Between the rivers of the Ganges of the Volga and Yamuns Oka, the lands that are called Kurukhetra run, and the only large river north of the Oka Yamuna and south of Gangi Volga is the Sarasvati -Klyazma river, it is she who flows into the doorway not far from her mouth. It turns out that we can find the Vedic Sarasvati River on the map of modern Russia.

Ugnikova develops the “theory of the polar ancestral home of the Indo-Europeans”, continuing the research, begun at the beginning of the 20th century: B. Tilak-an Indian scientist, the author of the “polar hypothesis” and the book “Arctic Homeland in the Vedas” by G. Elachich, the author of the book “The Extreme North as the Homeland of mankind”, the texts of the Indian “Rigveda” contain an almost direct indication of The northern ancestral home of the peoples, who later moved in the territory of Hindustan, to which they were forced by a long drought, which occurred at the end of the third - the beginning of the second millennium BC, and claimed all the customs and rites of the Northern ancestral home.

For example, the polar star is “unshakable”, mentioned in the Vedas, visible only in the northern latitudes, and the polar radiance, accompanied by a piercing sound, is observed only on the bands of Barents and the White Seas; S. writes about these and other circumstances Ugnikov in his book "Trace of Vedic Rus'." It is also worth pointing out an important point that the words “speech” and “river” are identical in essence, since the river is the ancient archetypal way of speech.

It is worth paying attention to phrases such as “speech”, “the river flows”, “a stream of speech”, as well as phraseological units, such as “pouring out of empty in empty”, - in the minds of these two images they echo - speech pouring like water, and it is quite possible that these words had previously had one root.Such an identification existed in ancient times in the distant past of human consciousness.

Therefore, it is no wonder that the goddess of the river is also the goddess of speech of the VAK. Sarasvati - the goddess of wisdom and eloquence of Sarasvati carries true knowledge, helping everyone striving to know the essence of being and achieve the truth. It accompanies a person in the path of spiritual improvement, leads to an understanding of the scriptures. Anyone who drinks the air with his mouth two sandkhi and the last two hours of the morning-the gracious Sarasvati Goddess of Speech reigns in three months, present in his Higher Attestation Committee of Speech-Upanishada, the goddess Sarasvati is the creator of the ancient divine language of Sanskrit Sanskr.

Puranans mention that under the influence of Sarasvati energy on higher material planets, all living creatures speak only an exalted poetic language. Sarasvati is identified with the goddess of speech of the Higher Attestation Commission or Vach. The Higher Attestation Commission is a mystical personification of speech. It is one with the embodiment of the creative forces of Cosmos ViRAG SASKR.

According to the Rigveda, the Higher Attestation Commission comes from Purusha - the prototype of all male forms of manifestation, which, in turn, is generated by a viral, which is a prototype of all female forms. The Higher Attestation Commission acts as a symbol of the speech, thanks to which people were able to get spiritual knowledge. She also personifies the sacred elevated speech, which fell into the first sages - Rishi.

It is essentially the power that, emanating from the Creator of the Universe, brought speech to the material world, which is a manifested form of thought -image. Sarasvati is the goddess of eloquence, helping to put thoughts in words, expressing them through speech. The thought, before appearing in the form of a word, goes through several stages of transformation: first, the sound goes through three stages on the subtle plan in order to subsequently turn in the material world into the manifest form of the word.

There are four varieties of the Higher Attestation Commission, or four forms of sound: pair, plowing, Madhyama and Vaikhari. The highest transcendental form of sound is a para-wak; when the sound can be distinguished by the shape and color-this is a plowing-fork; Madhyama-Wak is the level at which our thoughts “sound”; And the lower form of sound is vaikhari-wak earthly speech, its material aspect, a gross form of manifestation of the initial sound of the Universe, through which we communicate with other people, and it acts through Vishudha Chakra.

Usually, a person hears only at the level of Vaikhari-Wak, however, susceptibility to the rest of the three higher stages of sound depends on the level of his spiritual development, as well as on which his consciousness is purely. Giving an escape in a pair, the Higher Attestation Commission throws the leaves into Pashyanti, gives a bud in Madhyam and blooms in Vaikhari.

The Higher Attestation Commission reaches the sound absorption stage in the reverse order, that is, starting with Waikhari. A couple, Pashyanti, Madhyama and Vaikhari - these are four types of VAK. The couple is the highest sound. Vaikhari is the lowest sound. In the evolution of the Higher Attestation Commission begins with the highest sound and ends with the lowest. In the involution, the Higher Attestation Commission takes the opposite direction, dissolving in a pair, the highest subtle sound.

Who believes that the great lord of speech of the Higher Attestation Commission, undifferentiated, enlightening, is “I”-who thinks so, that will never affect the words, tall or low, good or bad “yoga-kundalini-Upanishad” Yantra Sarasvati Yantra Sanskr. When a person concentrates on the yuttra, the noise from heterogeneous thoughts, randomly rotating in his mind, stops, and his mind is renovatedly in resonance with the energy generated by the geometric form of Yantra.

Each yantra radiates the energy of a certain frequency and allows them to perceive them. Traditional Yantras came through a revelation, through clairvoyance, which allowed them to bring them from the world of subtle energies and to show to our world the form that reflects the essence of a certain deity on the material plan, the energy of which is represented in the physical material plane of Yantra.

When you pronounce the Sarasvati mantra, it is desirable that Yantra be before your gaze. The contemplation of this Yantra has a beneficial effect on a person, only blessed positive thoughts are formed in his mind. And she will bring inspiration to creative people. It is believed that this yantra stimulates the work of the right hemisphere of the brain, and also helps to control feelings.

Yantra attracts the power of the most beautiful wise goddess. Since Sarasvati is the lord of education, culture, art, creativity, knowledge, visualization or contemplation of Yantra Sarasvati helps to comprehend many spiritual truths, value the beautiful in art, develops in a person an understanding of various types of creativity, fine art, music, gives purity of thoughts, clarity of consciousness, oratory, the possibility of creative self -realization.