Nikolai Alekseevich Kazakov Biography

A light -eyed blond, well tailored by nature, he had a special confidential intonation, an elastic, obvious word, a suit of any era sat on it as if a glove.

In appearance, N. Kazakov was similar to Sergei Yesenin, who he adored and even in the cinema was approved to play the role of the poet, but, unfortunately, the film was closed. The image of Yesenin also hung on theatrical sidelines: several plays about Yesenin are stored in the theater archive, but have not found life on stage. Since the year, Nikolai Alekseevich Kazakov is a permanent artist of the Tula drama.

He was invited from the Tula Youth Theater, where he played one of his iconic roles - Tolya Lisyansky, prickly, intractable, proud young man in the sensational play “Diary” based on G.'s play in the drama of the role raised on the artist with generous rain: Oswald “Ghosts” by Ibsen, Olavvi “Justin”, Pastukhov, Pastukhov “Torn ruble” S. The arrival of the theater in the year Rafail Pavlovich Rakhlin was a gift of fate for Kazakov.

The main director felt the individual's individual. His grip, specialty, will, energy. The role of journalist Yegor Korolev in the “age of reckoning” by L. Zhukhovitsky blew up the city. Here he is, our hero, truthful, honest, smart, beautiful, not afraid of anything in the struggle for justice! Kazakov created a galaxy of heroes - our contemporaries, which includes Grigory Gai “Tempe” by N.

Vampilov, Dr. Malyshev “Deficit” by I. Tshchelikhin, writer Bochan Ramishvili “The Law of Eternity” by N. Dumbadze, Colonel Lukyanov “Good and Love Nightingale Night” in Ezhov - different directors, but the need for a hero who is not a hero who is not a hero. Fake, everyone had one. The roles of a classic repertoire are always desirable for actors: they have a scope of imagination, historical volume, costumes, excellent figurative speech.

Cossacks were created for the classic repertoire! From Paratov in the "unprodant" A. Ostrovsky, not only Larisa Ogudalova, but the entire female half of the auditorium, lost her head. Beautiful, elegant, in a white suit, a real master, Sergey Sergeyich Paratov was slow, ironic, and somehow cold from the inside. And this coldness, detachment, a kind of egoism, gave him a special charm of loneliness and incomprehensibility - and Larisa burned in this cold fire.

Yago Othello W. Shakespeare, Theodoro “Dog on the Shen” by L. Gorky, Viktor Karenin “Living Corpse” by L. Tolstoy, Astrov “Uncle Vanya” A. Chekhov, Karenin “Anna Karenina” by L. Tolstoy - Cossacks were recognizable everywhere, but this did not interfere with his game and transformation. A breakthrough for the actor was the role of the drunkard Andrei Buslav in the “threshold” and Dudarev.

In the role of a drunk, humiliated, unlike appearance to a person whom even his mother did not recognize, the handsome Cossacks are unrecognizable: a bum in dirty taps with a well -goned dialect, who was a cracked gier, appeared before the viewer. But in this prodigal son the soul still trembled, and the actor fought for his Andrei by the power of human and civilian.

Nikolai Alekseevich greatly valued this role. One of the last roles of the artist is the role of Lord Henry Chesterfield in the play “When the horse loses consciousness” based on the play by F. Kazakov very freely felt in the space of the English castle. He was as leisurely and calm as fire in the fireplace, in whom he loved to sit. Everything in the house was alien to him - the global misunderstanding of the family, loneliness.

But he carried this loneliness with such an aristocratic dignity! Henry - the Cossacks became happy, he smiled, meeting Coralia. But the violent emotions were not in Henry’s character, but a sense of duty had deep dynastic roots in his life ... During his life, N. Kazakov managed to do what the man was supposed to be: he built a house, gave birth to a son and two daughters, planted more than one tree, caught more than one fish.

In his youth, he starred in the films: “What is the noise of the river”, “The career of Dima Gorin”, “Gold” and remained in history always young! Olga Kuzmicheva, Tula region, city of Tula, Lenin Avenue, and