Akhmatova biography museum

Official site: www. During this year, it was planned to carry out a number of cultural events covering not only Petersburg, but also Moscow. For these purposes, a commission of the Union of Writers was created and a scientific conference was organized. It was decided for the museum to allocate a four -story garden outbuilding, on the third floor of which Anna Akhmatova lived.

Exhibition copies are a reflection of the life and work of poets of the Silver Age. At this time, literary geniuses were especially difficult in connection with the hard restrictions of the Soviet regime. Therefore, all works are saturated with feelings and emotions, dreams of a great future. It was then that the Russian reader opened new genres of poetry, such as symbolism, futurism, and imag forces.

Anna Akhmatova, who was famous for the unprecedented poetic talent in the literary circles of contemporaries, was no exception, but was driven into the framework of Soviet censorship. The history of the museum was originally planned to open a branch of the literary and memorial museum Fedor Mikhailovich Dostoevsky. Its director was Bella Nurievna Rybalko. It was she who separated the Akhmatova Museum and made it an independent monument of Russian culture.

The opening of the museum also had political prerequisites. The end of the eighties of the XX century was marked by the condemnation of cruel appeal to poets, writers and artists of the Silver Age. That is why the modern government tried to show how much they value Russian culture and unfairly convicted authors. The Akhmatova Museum was created on an honest word of its organizers.

He was given complete freedom both in the design of the premises and the expositions themselves. It was planned to finish the design of the museum for the centenary of the poetess. As a result, it opened on June 24, exactly one day later than the birthday of Akhmatova. A wide variety of objects related to her personality and creativity were presented here. These were documents, manuscripts, photographs, things used by the poetess.

In order to gather everything together, the organizers had to contact the families of contemporaries Akhmatova. Many of them did not survive before the opening of the museum, and things related to the poetess were stored as family values. Each name was announced on the opening day of the museum. And the collections continue to replenish today. The American cabinet of Joseph Brodsky is an outstanding poet of the Silver Age, who gained recognition thanks to his Russian and English-speaking works, as many were unfairly condemned and expelled.

He built a brilliant career in America, but never lost contact with Anna Akhmatova. After the death of the poet, his wife conveyed Brodsky’s personal belongings to the Museum of Akhmatova. Here, his office was recreated according to the description and photographs. Guests of the house on Fontanka can see the poet’s furniture and written belongings, feel the atmosphere where the creative process took place.

Moreover, in the office you can listen to the record of the sentence issued by the poet by the Leningrad court in the year, performed by a friend of Brodsky Yakov Gordin. The museum also offers to watch videos about the poet’s life and listen to the recordings of poems in his performance. The modern life of the museum to date has more exhibits. Among them are collected works of poets of the Silver Age with autographs, Akhmatova’s work, photographs, manuscripts, portraits and personal belongings of poets.

Among them, the libraries of Anna Akhmatova and Joseph Brodsky are considered the most valuable, the creations of the masters of applied art of the Gumilev family, a meeting of Professor Nikolai Semenovich Nemelov with the views of St. Petersburg of the middle of the 20th century. The collection of memorial things Lev Nikolayevich Gumilyov is relatively recently presented. The library of the historian is worthy of special attention, it collects its own works of Leo Nikolaevich, as well as the works of Akhmatova and Nikolai Stepanovich Gumilyov.

The entire museum is divided into 2 parts: the life and life of Anna Akhmatova and historical expositions. Visitors are given the opportunity to inspect the kitchen and corridor of the apartment where the poetess lived. The situation in the room is more than modest. It is difficult to believe that several generations of two families once intersected in this uncomfortable corridor: Punin and Akhmatova.

From the hallway, the museum guests fall into the White Hall. Here, every detail is not accidental. The pages of newspapers on the walls, photos behind the glass, everything is connected with the great poetess. The most interesting for visitors is the room in which Anna Akhmatova lived. Here she spent long evenings in the company with her muse. Each of the premises talks about a certain stage in Akhmatova’s life.

Her rooms reflect the most difficult years of the poetess. Interesting facts are the real name of the poetess Gorenko. The pseudonym was invented on the basis of family history. It was assumed that the Akhmatova clan ascended to the Tatar khan Akhmat. 2 years before her death, Akhmatova received worldwide recognition. And in the year she was awarded the honorary degree of Doctor of Literature University Oxford.

Anna Akhmatova is a symbol of the Silver Age.Her persistent and creative nature, which was tried to break by prohibitions, still inspires many poets and artists. Museum visitors receive a unique opportunity to feel the atmosphere of the last century in which the poets of the Silver Age lived.