Kokarev biography

Decree of the President of the Russian Federation of December 6, Glinka of the European League of the Commonwealth of the Russian Federation “For Contribution to the Development of Musical Art” on October 12, Honorary Culture of the Culture and Archival Affairs of the Tambov Region: “For the contribution to the creation, formation and development of the Museum of the S.S.

was born in the city of Kharkov Ukraine. In the year, she graduated from the gold medal the piano department of the Kyiv Central Music School - twin -year -olds at the Conservatory named after Lysenko Class D. continued to study at the Moscow Conservatory at the Faculty of Theoretical and Commander. Professors: V. Tsuckerman, L. Mazel, R. Gruber, T. Tsytovich, N.

Nikolaev, I. Nesyev, A. Kandinsky, Yu. Protopopov, Yu. Fortunatov, I. I carried out the diploma work of the “preludes of Scriabin”, under the leadership of V., she actively worked at the Faculty of I. Radio, prepared and conducted more than 30 radio programs on the most diverse topics about the music of the Russian and West European. Graduate years The candidate dissertation is defended on the topic "Opera-Oratorial work of Darius Miyo" Head-I.

NOTENESS, Moscow Conservatory, G. Life and Creativity. Since the beginning of the 10ths, L. Kokoreva has gained fame abroad. France Government scholarshipist and internship at the Paris National Conservatory of Music and Dance G. Speech at International Conferences at the Paris University of the Sorbonne: “Years Darius Miyo and Arthur Onegger” with the theme “Darius Miyo in the minds of Russians” G.

Tansmann about I. Stravinsky ”in the year of the Paris Conservatory as part of the Russian Week Russian “Music”: “Young composers of Moscow: A. Podkatov, M. Kollontai, S. Zhukov, V. Tarnopol, V. Ekimovsky”, as well as with the same topic - in the Sidelnikov, N. Karenikova, T Sergeyeva, A. Vustin, O. In the year, L. Kokorev became a scholarship holder Zahera Basel, where the internships were completed with the archives of V.

A performance at a conference with the theme “Word and music in the vocal works of V. Subsequent internships in the Paris National Library and in the Paris Conservatory, as part of the exchange between the two conservatory of Paris and Moscow, took place,,,,, and they were aimed at studying modern French music. In the year at the Paris Conservatory, at the invitation of the rector, a presentation of the Claude Debussian monograph was held.

Educational activity is diverse: it performs in music programs on the radio station "Orpheus", on television, the Culture TV channel. In the year, with the assistance of the French Embassy in Moscow, she organized a festival dedicated to the lady of Darius Miyo. Every year, a music festival under the name “Steps in the Snow” in the art library of art in the festival concerts is attended by students and graduate students of the Moscow Conservatory.

Scientific and pedagogical work in a higher educational institution-50 years. The exchange of experience with the Paris National Conservatory also took place in, in, in gg. In the year, the presentation of the book took place: “Darius Miyo. Conversations with Claude Rostan ”Translation, comments, entrance and final articles by L. Festival“ Steps in the Snow ”Open or closes L.

solo concerts in the last concerts,,,,, years. February-March of the year is the anniversary tenth festival "Steps in the Snow". Six concerts. Pedagogical activity - a teacher of theoretical disciplines at the Moscow Music School. Ippolitova-Ivanova Solfezhio, harmony, analysis. From the year - a teacher of theoretical disciplines of Solfezhio, analysis in the Moscow state.

From G. s - leads in addition to general courses a special course among musicologists: foreign music of the twentieth century. In the individual class - the leadership of course, diploma and dissertation research. Her students were visited by now well-known composers: Yu. Vorontsov, Yu Gasparov, S. Zhukov, A. Podkatov, V. Tarnopol, M. Ermolaev-Kolontai, A.

Golovin, E. Firsova, D. Smirnov and others Pletnev, Yu. Basmet, I. Dronov, A. Rudenko, D. Malikov and many. The graduate students who wrote their essays under her leadership: M. From the history of the Soviet piano school, performing styles: Richter, Gilels, Oborin, Flier, Ginzburg. Gamaley: Schubert's piano music in the evolution of artistic thinking of performers. Messian and the problems of performing the composer's piano music.

Dukhan Lyudmila. Brahms piano concerts and their interpretation with pianists of the twentieth century. The genre of piano fantasy in the music of the 19th century. The piano sonatas of Karl Cherni and their place in the history of music.

About the symbolism of the poetic and musical on the material of E. Poe and music S. Ng Shing Chung. The role of the piano in the chamber-instrumental and orchestral yu. On the evolution of the piano style of Arnold Schönberg. The piano plays of I. Brahms in the aspect of the evolution of style. The genre of piano sonata in the work of composers of the first half of the 20th century Bartok, Stravinsky, Hindemit.

Early piano concerts of Bela Bartok and the problems of their interpretation. Under the leadership of L.Kororeva performed thesis: A. Word and music in the oratorio A. The piano work of Olivier Messian. Small cycles are preludes of fantasy, tokkates and fugues in the organ work of Bach.